Difference between revisions of "Gopicandana"

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<small>By Swami Harshananda</small>
 
<small>By Swami Harshananda</small>
  
According to the āgamas and the purāṇas, every devotee is expected to wear a puṇdra or a religious mark, appropriate to his cult or sect, not only on the forehead but also on the specified parts of the body. This puṇḍra can be of two types:
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According to the āgamas and the [[purāṇas]], every devotee is expected to wear a puṇdra or a religious mark, appropriate to his cult or sect, not only on the forehead but also on the specified parts of the body. This [[puṇḍra]] can be of two types:
 
# Ṅrdhva - upright: The nāma and the gopicandana of the Vaiṣṇavas belong to this category.
 
# Ṅrdhva - upright: The nāma and the gopicandana of the Vaiṣṇavas belong to this category.
 
# Tiryak - crosswise: The vibhuti (holy ash) belongs to this category.  
 
# Tiryak - crosswise: The vibhuti (holy ash) belongs to this category.  
  
The gopicandana is yellowish clay available near the lake called Gopītālāb in Gujarat. It is situated in the vicinity of Dvārakā, the famous place of pilgrimage. It has to be mixed with water to prepare a thin paste and then applied on the forehead, arms, shoulders and the belly.  
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The gopicandana is yellowish clay available near the lake called Gopītālāb in Gujarat. It is situated in the vicinity of [[Dvārakā]], the famous place of pilgrimage. It has to be mixed with water to prepare a thin paste and then applied on the forehead, arms, shoulders and the belly.  
  
It is better to use that water with which a śālagrāma<ref>Śālagrāma is a round stone and a symbol of Viṣṇu.</ref> has been bathed. The paste has to be sanctified further by the repetition of the Gāyatrīmantra, three times.
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It is better to use that water with which a [[Śālagrāma|śālagrāma]]<ref>[[Śālagrāma]] is a round stone and a symbol of [[Viṣṇu]].</ref> has been bathed. The paste has to be sanctified further by the repetition of the Gāyatrī[[mantra]], three times.
  
 
Clay collected from some sacred places is also used for this purpose. These places are:
 
Clay collected from some sacred places is also used for this purpose. These places are:
 
# Srīraṅgam in Tamil Nadu
 
# Srīraṅgam in Tamil Nadu
# Simhācala in Andhra Pradesh
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# Simhā[[cala]] in [[Andhra]] Pradesh
# Prayāga in Uttar Pradesh
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# [[Prayāga]] in Uttar Pradesh
 
# Earth near the root of Tulasī plants  
 
# Earth near the root of Tulasī plants  
  
 
==References==
 
==References==
 
{{reflist}}
 
{{reflist}}
* The Concise Encyclopedia of Hinduism, Swami Harshananda, Ram Krishna Math, Bangalore
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* The Concise Encyclopedia of Hinduism, Swami Harshananda, Ram [[Krishna]] Math, Bangalore
  
 
[[Category:Concise Encyclopedia of Hinduism]]
 
[[Category:Concise Encyclopedia of Hinduism]]

Latest revision as of 13:42, 16 December 2016

By Swami Harshananda

According to the āgamas and the purāṇas, every devotee is expected to wear a puṇdra or a religious mark, appropriate to his cult or sect, not only on the forehead but also on the specified parts of the body. This puṇḍra can be of two types:

  1. Ṅrdhva - upright: The nāma and the gopicandana of the Vaiṣṇavas belong to this category.
  2. Tiryak - crosswise: The vibhuti (holy ash) belongs to this category.

The gopicandana is yellowish clay available near the lake called Gopītālāb in Gujarat. It is situated in the vicinity of Dvārakā, the famous place of pilgrimage. It has to be mixed with water to prepare a thin paste and then applied on the forehead, arms, shoulders and the belly.

It is better to use that water with which a śālagrāma[1] has been bathed. The paste has to be sanctified further by the repetition of the Gāyatrīmantra, three times.

Clay collected from some sacred places is also used for this purpose. These places are:

  1. Srīraṅgam in Tamil Nadu
  2. Simhācala in Andhra Pradesh
  3. Prayāga in Uttar Pradesh
  4. Earth near the root of Tulasī plants

References

  1. Śālagrāma is a round stone and a symbol of Viṣṇu.
  • The Concise Encyclopedia of Hinduism, Swami Harshananda, Ram Krishna Math, Bangalore